Category Archives: Events

New writers’ festival for Fremantle

With the apparent demise of the Perth Writers’ Festival—for this year, anyway—it’s heartening to see new festivals emerge in Perth to fill the gap. Earlier in the year, there was Perth Storyfest 2025, established by The Writers Collective, which was fully booked and a great success. The second half of the year also sees the Festival of Fiction 2025, in Joondalup, running for its second year. And coming up very soon, a brand-new kind of writers’ festival in Fremantle/Walyalup, Totally Lit.

Totally Lit, which runs from 26 September to 10 October 2025, is said to be ‘inspired by place, culture, community and story’. I spoke to curator/producer Sharon Flindell about what the festival offers.

AC: It’s exciting news for Western Australia’s reading and writing community that there’s a new writers’ festival on the way, and I’m interested to know more about your plans to ‘shake up public expectations about what a writers’ festival can be’. Could you give me some examples?

SF: The idea for Totally Lit sprang from a personal light bulb moment I experienced a few years ago. I was attending the Literature Centre’s ‘Celebrate Reading’ Conference at Fremantle Town Hall and at some point I looked around the venue and noticed how many people in the audience and on stage were resident Fremantle writers and illustrators, the majority of whom were also published by Fremantle Press. Meanwhile, the team from Paper Bird were in the foyer busily selling books and it struck me that the whole event was this great collaboration between Fremantle’s writing sector organisations and writing talents. At that moment I realised Fremantle was truly a ‘city of literature’ and that this was something worth shouting about and celebrating. The festival sprang from there.

From the outset, I began thinking about curating a program of live literature events that didn’t rely solely on inviting audiences into auditoriums or focusing on new release titles and best-selling authors but that took Fremantle’s places and people and communities as the jumping off point.

What’s been so interesting and rewarding about developing Totally Lit has been the response from the community. The idea of Fremantle as a ‘city of literature’ has really resonated across the board—from local government to local businesses and of course writers and other creatives . There’s been a lot of enthusiasm to get involved, which has meant that we’ve also had lots of scope to invent new and fun ways to enjoy live literature and to think about creating events in unexpected places.

For seasoned writers’ festival audiences, Totally Lit has plenty of the types of events you would typically expect from a writers’ festival—book launches, open mic nights, workshops, great conversations with award-winning and best-selling authors, et al.—but we’ve also got quite a lot more.

Totally Lit is as much about oral storytelling as it is about the written word, so you can expect a range of different storytelling experiences and activities. You can also expect to discover Fremantle through its many stories, whether captured in places, buildings or books.

It’s all very much about having live lit fun in lots of different ways!

Unfortunately, we didn’t succeed in raising as much investment as we’d hoped, so there are several great events that we’d planned but aren’t going to be able to deliver this year. It’s ok, though, we’re keeping those in a back pocket for another time. 😊

AC: When will the program be available, and who can we expect to see?

SF: Any day now! 😊

We’re aiming to embrace a really broad range of communities, interests and age groups, and we’re really excited about the fantastic line-up of writers, storytellers and other creatives that have joined us in Totally Lit. We think we definitely have something for everyone.

AC: How can readers, writers and others in the literary industries become involved?

SF: Another way that we’re doing things a little differently at Totally Lit is that the program was always conceived to be a hybrid of curated and open access events. We wanted to create an inspiring framework and then open that out to allow more opportunities for others in the literary industries and wider community to create and bring their own events. We’ve had a strong response to that invitation and some fantastic events have been incorporated into the program as a result.

Once the program is launched, we hope there’ll be an equally strong response from the sector and that we’ll see lots of writers, publishers, readers, and others in the community who may not necessarily think of themselves as readers coming along to experience the festival. Perhaps we’ll change their ideas about what writers‘ festivals are and who they’re for.

AC: I see on your website that Fremantle/Walyalup is aiming to become Australia’s third UNESCO City of Literature (following Melbourne and Hobart). Is the festival involved with this?

SF: Establishing Fremantle/Walyalup as a UNESCO City of Literature and creating the Totally Lit festival were ideas born at the same time and as a result of the realisation that Fremantle truly is a city of literature. Both things we think should be recognised and celebrated.

Certainly in my various conversations over the past eighteen months, I believe there is a strong political and community will to do both.

Totally Lit is happening 26 September to 10 October 2025
The program is about to be announced. You can subscribe here for updates.

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And the year rolls on…

I can hardly believe we are already more than a month into the second half of 2024. There’s been little from me here so far this year, but much has been happening away from view.

My reading has taken a bit of a hit, but I’m beginning to get back into it. A book I’m reading at the moment is Irish poet Elaine Feeney’s first novel, As You Were (2020)—highly original and I am absolutely loving it. Her most recent novel, How to Build a Boat, was longlisted for last year’s Booker Prize. Has anyone read that one?

Other reading highlights so far: Anne Michaels’ Held, Claire Keegan’s So Late in the Day, Michael Cunningham’s Day, Rebecca Higgie’s The History of Mischief and Jessica Zhan Mei Yu’s But the Girl. And of course, Katrina Kell’s Chloe, which I featured in my ‘Talking (new) fiction’ series: Q&A here.

Recently I had the pleasure of being chosen to participate in the International Lamplight Online Residency: Ireland, run (via Zoom) by Varuna here and the Irish Writers Centre in Dublin—a wonderful opportunity, given that my work in progress has one foot in Ireland and the other in Australia. Among the many creative and professional development joys of the residency has been the long list of titles I’ve compiled along the way, and I’m so looking forward to reading: novels by the seven other (Irish and Australian) participants, as well as others recommended in our various sessions. Wholehearted thanks to Varuna and the Irish Writers Centre for devising this excellent online program and for welcoming me into it.

I also recently travelled to Ireland (really, the traditional way, by plane!) for research and a highly productive, many-times-delayed residency at the Tyrone Guthrie Centre—often called Annaghmakerrig, the original name of the house and also the name of the lake it sits beside. There are so many things I love about this place, not least the fact that it is a multi-arts residency, and the many brilliant arts practitioners I’ve met over the four times I’ve been there have included painters, sculptors and other visual artists, dancers, musicians and theatre directors, along with poets, novelists, playwrights and translators. See below for some of my photo highlights of Annaghmakerrig and its surrounds, and the drumlins of County Monaghan.

Events during the year so far have included talks on Kathleen O’Connor of Paris for the WA Society of Artists and the Perth Women in Petroleum book club—two organisations that have been in existence for years measured in decades. And I loved being part of a panel event on ‘Story and Place’ for Love to Read Local Week at Guildford Library, with fellow writer Rebecca Higgie and chair Bianca Breen.

Irish scenes, brought to you by my iPhone and my dual senses of awe and affection…

Happy reading, happy writing, happy travelling, and whatever you’re doing, don’t forget also to look up/look down.

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In concert

I love the way artists of different artforms and genres draw inspiration from each other in the creation of new works, adaptations, reinventions, collaborations. Think of the many paintings inspired by Tennyson’s poem (itself drawn from Arthurian legend) ‘The Lady of Shallot’; a print of probably the most famous, by John William Waterhouse, adorns the wall of my studio. My car playlist includes a musical interpretation by Loreena McKennitt. And there is a potent intertextuality, at the levels of direct reference, metaphor and theme, between the poem and one of my favourite novels, Tirra Lirra by the River by Jessica Anderson.

Art, sculpture, dance, music, poetry and film have fed into my own writing in various ways, and I have been thrilled on the occasions when something I have written has influenced the creation of new art by others. The Sinkings, for example, inspired an art installation by South West artist Annette Davis. Film company Factor 30 has optioned the novel for development as a six-part TV series, so it might find its way to the screen someday.

The story ‘Paris bled into the Indian Ocean’ (published in Inherited), inspired by the brilliant impressionist artist Kathleen (Kate) O’Connor, gave its name to a spectacular exhibition of paintings by Fremantle artist Jo Darvall, which in turn, in a circuitous way, led to my work of creative non-fiction, Kathleen O’Connor of Paris.

And now, I’m beyond excited that Perth Symphony Orchestra is staging a concert featuring music reflecting Kate’s life and times, interspersed with extracts from Kathleen O’Connor of Paris and images of Kate’s work.

I can’t help thinking that Kate, so enchanted with artistic culture of all kinds, would love this kind of collaboration.

Art & Music: The Life & Art of Kathleen O’Connor will be presented at the Art Gallery of Western Australia on 30 June and 1 July, 7.30pm. Tickets available here.

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The short and the short of it

What a year 2022 has been for short stories. I began my reading year with Rashida Murphy’s powerful collection The Bonesetter’s Fee (Spineless Wonders), and since then I’ve had the pleasure of reading another two outstanding collections: Mirandi Riwoe’s The Burnished Sun (UQP) and Fiona Robertson’s If You’re Happy (UQP). I’m now reading (I like to have more than one on the desk!) Andrew Roff’s The Teeth of a Slow Machine (Wakefield Press) and Ben Walter’s What Fear Was (Puncher & Wattmann)—brilliant, both of them.

I’ve also just finished Susan Midalia’s collection of very short stories, appropriately entitled Miniatures (Night Parrot Press). Having experienced a personally challenging few months, I found this volume of more than 100 stories a joy to read: many of them had me laughing out loud—usually having been taken by surprise. One consists of nothing but a title! I’ve often said that Susan is one of the wittiest people I know.

Miniatures also reflects other qualities I associate with the author: empathy, a preoccupation with language and what it can do, and a strong interest in compassionate politics and the environment.

Susan Midalia happens to be the director of the 2022 Australian Short Story Festival, which is being held this year in Western Australia, at the Fremantle Arts Centre, 28–30 October. Among the participants are visitors Fiona Robertson, Andrew Roff and Ben Walter, as well and Rashida Murphy and Susan Midalia, mentioned above, but do take a look at the full list of writers. I’m delighted to be taking part in a session on ‘Writing Fremantle’ with fellow writers Rita Tognini and Josephine Clarke.

The festival is extremely reasonably priced, at $20 per day for Saturday and Sunday. The full program is here.

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Bonesetting…

Well, not quite, but I love the word, and The Bonesetter’s Fee is the name of Rashida Murphy’s 2022 collection of short and flash fiction. I began this year’s posts by talking about this one, and soon I have the great good fortune to be talking about it with Rashida in person, at Bull Creek Library.

If you’re interested in memory, absences and heritage, in stories of migration, in writing and publishing, in watching the world, then please do join us—we’d love to see you there.

Author talk with Rashida Murphy
Thursday 4 August 2022
6.45 (refreshments) for 7.00pm
Bull Creek Library, 24 Leichhardt Street, Bull Creek
Entry $5
Bookings essential

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WA Premier’s Book Awards winners

Congratulations to the winners of the WA Premier’s Book Awards:

  • Premier’s Prize for an Emerging Writer: Elfie Shiosaki, Homecoming (Magabala Press)
  • Premier’s Prize for Writing for Children: Shirley Marr, A Glasshouse of Stars (Penguin Random House)
  • Daisy Utemorrah Award for Unpublished Indigenous Junior/YA Fiction: Mariah Sweetman, Robert Runs
  • WA Writer’s Fellowship: Nandi Chinna
L to R: Shirley Marr, Nandi Chinna, Elfie Shiosaki, Mariah Sweetman

And to all of the wonderful writers who were shortlisted: congratulations on your achievements, too. You probably made the judges’ task of deciding winners very difficult.

I generally don’t like having my photo taken, but here is one from the awards night that is possibly my favourite ever: buying books, not facing the camera…

Photo credits: Sally Kelso, State Library of WA

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Perth Festival Writers Weekend 2022

This year’s Perth Festival Writers Weekend program is out! Festival curator Gillian O’Shaughnessy has put together an exciting lineup of Western Australian writers, and those from further afield appearing in person or via live stream.

I love this quote from the program:

When we read, we aren’t simply informed and entertained, our world is made larger. Stories allow us to see new possibilities, to reflect and absorb challenging ideas and to lose ourselves in wonder. When we read, we are transformed. In keeping with Perth Festival’s 2022 theme of Wardan, Writers Weekend will dive into this idea of connection; so that as we emerge from tumultuous times, we might consider our hearts and values through the lens of books, stories and words and their profound and magical ability to expand our consciousness.

Gillian O’Shaughnessy

The venue this year is the historic Fremantle Arts Centre, and wow, does that take me back! The centre was the venue for the first Perth Writers Festivals I ever attended, and I well remember sitting on the lawn, listening to amazing Australian and international authors—some, like Dorothy Porter, no longer with us.

I have the pleasure of moderating two sessions:

The Riviera House, with Natasha Lester, Sunday 27 February, 1pm, Inner Courtyard

Difficult Women, with Liz Byrski and Juliet Marillier, Sunday 27 February, 4pm, Inner Courtyard

All sessions are ‘pay what you can’ (suggested price $19).

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WA Premier’s Book Awards winners…

The WA Premier’s Book Awards for 2020 releases were announced last night at a lovely ceremony at the State Library of Western Australia.

WA Premier’s Award for an Emerging Writer: Rebecca Giggs, Fathoms: The World in the Whale (Scribe Publications)

WA Premier’s Award for Writing for Children: Meg McKinlay and Matt Ottley, How to Make a Bird (Walker Books)

Daisy Utemorrah Award for Unpublished Indigenous Junior and YA fiction: Carl Merrison and Hakea Hustler, Dirran

WA Writer’s Fellowship: Sisonke Msimang

Congratulations to the winners, and also to the wonderful shortlisted authors (a full list of those shortlisted is on the State Library’s website).

Before the announcement, A.J. Betts and I, as previous Fellowship winners, took part in a discussion about the impact of the Fellowship with Jo Trilling (ABC Perth). The event was streamed live on the State Library’s YouTube channel.

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Something new—the York Writers Festival…

I love regional festivals, and they hold a special place in my heart: the very first festival I took part in as a writer was one (sadly now defunct) in Albany, where I discussed my debut novel, The Sinkings. The historic murder that is at the centre of Little Jock’s story in The Sinkings took place at a lonely campsite near Albany, and one of the thrills of my writing life was when several Albany residents introduced themselves to me at the festival as descendants of the real people who feature in the novel.

The York Festival—a diverse, family-friendly multi-arts festival held in the historic town of York—has been running for many years. But this year its program includes a one-day writers festival, curated by the wonderful William Yeoman and featuring some fabulous Western Australian writers—many of them introducing new books.

The writers festival, to be held on Saturday 2 October, is divided into several sets:

The Fiction Set: Skyglow by Leslie Thiele, Wherever You Go by Monique Mulligan and Locust Summer by David Allan-Petale, with a discussion on Truth in Fiction

The Crime Set: The River Mouth by Karen Herbert and Death Leaves the Station by Alexander Thorpe, and a panel on Criminal Speculations

The Non-Fiction Set: Isolation by Stephen Scourfield and Many Maps by Bill and Jenny Bunbury, with what sounds like a fascinating conversation entitled Westralia Triumphant?

The Children’s Set: Beneath the Trees by Cristy Burne, The Wrecker’s Curse by Norman Jorgensen and Where Do Stars Go? by Katie Stewart, and a panel on Writing for Children

The Poetry Set: John Kinsella, Caitlin Maling, Fr Robert Nixon and Rose van Son, and a discussion on Wordmusic

There’s also a Long Table Breakfast, featuring Stephen Scourfield and Will Yeoman, with proceeds going to the local River Conservation Society.

Details and bookings here (check the ‘Writers’ box).

I’m thrilled to be taking part in the festival, chairing sessions with Monique Mulligan (10.30am), Cristy Burne (11.30am) and Rose van Son (4.30pm). In this episode of the festival’s Pod Fiction podcast, Will Yeoman and I talk about these sessions and the festival in general.

York, situated on Ballardong Nyoongar land, is 98 kilometres east of Perth—a short drive for Perth residents. It is the oldest inland town in the state (established 1835), and really worth visiting, with its heritage buildings and vibrant arts scene.

I’d love to see you there.

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Coming up: Margaret River Readers & Writers Festival

At the moment, with so many places locked down around the world, it seems a great privilege to be able to attend a writers festival in person. I always look forward to the Margaret River Readers & Writers Festival, in our beautiful South West wine region, but this year more than ever.

The festival will run from Friday 14 to Sunday 16 May, in venues in and around Margaret River but primarily at Margaret River HEART, the region’s new entertainment hub in the centre of town.

Congratulations to new festival director Sian Baker, who has put together an ambitious program of events. Among the many authors taking part are Julia Baird, Kate Mildenhall, Pip Williams, Karen Wyld, Chris Flynn, Bob Brown, Craig Silvey, Donna Mazza, Elizabeth Tan, Brigid Lowry, David Whish-Wilson, Natasha Lester and Emily Sun. The full program is here.

If you’re keen to ‘attend’ from afar, there’s also a Three-Day Virtual Pass available.

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