I was delighted when Will Yeoman, from The West Australian, invited me to talk about Scotland in this episode of ‘The Pod Well Travelled’. It was hard to choose one place among the many in Scotland I love, but in the end it had to be Shetland, where part 2 of Elemental is set. You can also listen to discussions about Finland and Arles in this episode.
And for the good news…
In a year that has been, and continues to be, so difficult and unnerving, it is a singular pleasure to be shortlisted for the WA Writer’s Fellowship, part of the WA Premier’s Book Awards.
The full shortlists are here. Congratulations and good luck to everyone!
The West Australian’s travel journalist Will Yeoman recently invited me to talk about my favourite places from travels past.
In this episode of ‘The Pod Well Travelled’ , I touch on the difference between travelling for research and travelling as a tourist, in the context of my research for Kathleen O’Connor of Paris. I also talk about two of my favourite places in Paris: Île Saint-Louis and Marché aux Puces de Saint-Ouen.
My piece starts around the 16-minute mark, but before that you can get some great tips about places to visit in New Zealand as The West’s travel editor, Stephen Scourfield, talks to Nicole Ricksman from Flight Centre.
What a joy it has been, this 30-day project of looking back, looking elsewhere. As well as being an escape from lockdown, it has reminded me anew of so many things: among them, the role of memory in any person’s life, and what memory, and watching the elsewhere of the world, has brought to my work as a writer.
I have never thought of myself as a particularly visual person, but taking, and studying, photographs has helped to sharpen my vision. I have photographs pinned up all over my studio—black-and-whites from historical sources, as well as my own—and they have found their way into my work in different ways, not always literal.
This one, for me, is an image of ambiguity: the coexistence of the beauty of these northern seagulls and their reputation as disease-carrying scavengers; their freedom of flight and their dependence on the human; my rapture in photographing them and my dismay when I realised, seconds later, that they had left their mark (streaky, green, copious!) on my travel bag.
In the novel I am working on, I am struggling to understand more serious ambiguities than the vagaries of seagulls, but photographs continue to play a role in prompting rumination and imagination.
Trollfjord, Norway, 2014
Versailles, France, 2012
Bjornevatn, Norway, 2019
Sumburgh cliffs, Shetland, 2007
Jardin des Plantes, Paris, 2012
Stave church, Norway, 2014
Yulong River, Yangshuo, Guangxi Province, China, 2019