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buying a local book

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December 6, 2017 · 1:49 pm

Suburban glories…

I am pretty much fused to my desk these days, and my to-read pile has languished. But I hope to rectify that before too long.

In the meantime, early-morning walks with Ric keep me sane. And what a fantastic start to the day—ibis and mudlarks, wagtails and magpies, the plaintive keee-lah of red-tailed cockatoos, the occasional appearance of mama ducks and their duckling broods.

And then there are the glories…

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In praise of ducks…

It’s that time of the year again. With the approach of warmer weather, ducks begin apearing around the neighbourhood—scuffling about in gardens, looking for nesting sites; surveilling the terrain from chimneys; landing in stormwater drains and swimming pools. It’s one of the things I love about spring.

Here are a few of my favourite duckscapes (although they are from a bit further afield than my neighbourhood)…

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Skywriting…

A few favourite skyscapes of recent months…

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And another new release: Hounds of Love

A new post from Ric about a film so tense that I had to remind myself to breathe…

Ric Curtin

hounds-of-love-cinema-australia-1.jpgHounds of Love, now playing in cinemas across Australia, was written and directed by Ben Young and is his first feature film. After premiering at the Venice Film Festival, the film has propelled Ben’s career onto the world stage, and he is already directing big-budget American movie Extinction.

The film has had great reviews all over the world, including 4 out of 5 stars from Australia’s leading film critic, David Stratton. This is not a film for everyone but, as one critic said, ‘brave audiences will be rewarded’.

My role on the film was the sound design and mix. As the subject matter is very confronting, the film was a great sound challenge. Much of the action is implied rather than on the screen., and the film relies on the soundtrack to tell the story.

For the house backgrounds, I used all natural sounds—cars, birds, etc.—so that…

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Until it’s gone…

I was in early adolescence when Gough Whitlam became Prime Minister in 1972. I’m afraid to say that I was not a politically minded adolescent. I had other things on my mind—important things like problem hair, who was coming to the Perth Entertainment Centre, and how I was going to get out of dissecting a frog in Biology.

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Spare a thought for my long-suffering grandfather, whom I made drive around Perth following the Radio 6PM van so I could win this T-shirt

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And yes, I’m a bit of a hoarder…

But recently I came across this quote by Whitlam:

A healthy artistic climate does not depend solely on the work of a handful of supremely gifted individuals. It demands the cultivation of talent and ability at all levels. It demands that everyday work, run-of-the-mill work, esoteric and unpopular work should be given a chance; not so much in the hope that genius may one day spring from it, but because, for those who make the arts their life and work, even modest accomplishment is an end in itself and a value worth encouraging. The pursuit of excellence is a proper goal, but it is not the race itself…

I look at our current politicians, and those of recent times, and can find no trace of this civilised and civilising attitude towards the arts and their place in our cultural life.

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Four New Releases…part 2

Here’s another instalment from that quiet guy I know, who has been a bit busy lately…

Ric Curtin

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I am glad to report that both recently completed TV series, Railroad Australia on Discovery and Outback Pilots on 7 mate, are rating well. Fingers crossed for a new series of both.

WHITELEY_A4 Poster.jpgThe feature documentary Whiteley has been playing to great reviews. Margaret Pomeranz gave the film her first ever 5-star review on Foxtel Arts.

Whiteley was directed by James Bogle and edited by Lawrie Silvestrin.  The documentary does not have a narrator; instead the story is told through archival footage and re-enactments. We recorded actors reading contemporary newspaper articles and then played the voices coming out of radios, matching the quality to archival sound—something of a challenge.

See the trailer.

Ash Gibson Greig composed the music for the documentary, weaving his music around the music of the time. The soundtrack was complicated, so Ash moved his music suite into my studio for the days of the final…

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