Monthly Archives: July 2013

Writers ask writers: books that changed my life

hannah richellIt’s a pleasure to welcome Hannah Richell, author of Secrets of the Tides and the recently released The Shadow Year, as our guest in this month’s Writers Ask Writers series. Great to have you with us, Hannah!

Our question is: What are the books that have changed your life? I’ve really had to think about this because I suspect every book you read changes your life, in the same way that every day you live changes your life—imperceptibly, infinitesimally, incrementally. But with some books—as with some days—the impact is more profound, although it might only be with hindsight that you realise this.

It’s large, this latter category, so I’ve limited myself to an eclectic group of four—two that helped confirm me as a lifelong reader and two that, in surprising ways (considering they are non-fiction), affected the kind of writer I would become:

md4201611800Enid Blyton’s exotic school series

Exotic? Well, to a schoolgirl in Western Australia, the world of boarding schools was exotic. And this world was unfolded, year by year, in Enid Blyton’s Malory Towers and St Clare’s series in which girls played mystifying games like lacrosse and had midnight feasts and learned French (there was always a Mam’zelle), and there had to be something almost mystically wise, inviolably good, about the individual destined to scale the heights to become Head Girl. This was my first experience of narrative compulsion—I was avid for the next book, and the next, to find out what would happen to characters whose lives I had become invested in. Imagine it: a series set in a school with a set of characters who grow with each book; a school peopled with quirky teachers and a saintly but twinkly eyed, much revered headmistress; boarders of all kinds with faults to overcome and talents to develop; a place where lifelong friendships are formed; where games are played and lessons learned. Sounding familiar? I’ve always thought the Harry Potter series owes a debt to these early models.

1298405-3263547853-lLittle Women (1868)

Louisa May Alcott’s Civil War era story of Meg, Jo, Beth and Amy is the first book I loved so much that I re-read it until the pages wore away. I responded to its story of love, family, friendship; its internal storytelling (there’s so much reading or acting out or writing of stories); its coming-of-age struggles; its grave, moving handling of death; its gentle humour and honouring of the joy to be found in ordinary things. The writer character, Jo, probably inspired generations of girls to write, but I always found Amy more interesting—Amy the artist, flawed, honest, kind, much maligned as trivial and shallow (I always knew she was anything but).

DSCN3407Biological Science: The Web of Life (1973)

A high school textbook? On science? Those who know me might find this hard to credit, but I loved this book because (although I couldn’t have articulated this back in high school) it was my introduction to ideas about the environment, the body, genetics, evolution—ideas that continue to interest me and find their way into my writing. I also hated this book because I had to read it, and learn it, and regurgitate it for examiners; I can still recite kingdom–phylum–class–order–family–genus–species (the order of biological classification) in the same way that I can recite aus–bei–mit–von–nach–zu–gegenüber–ausser–seit–entgegen (German prepositions that take the dative case). DSCN3406I’m so glad that love trumped hate and I kept this well-worn, much annotated, falling-to-bits copy. And the last time I opened it I found a few brittle flowers pressed between the pages.

100_5886The People of Perth (1979)

Tom Stannage’s social history of my own city—personally significant also because it was my first paid proofreading assignment—introduced me to a new kind of writing about the past, anchored not in dates and figures but in people’s lives. And not royalty or statesmen or founding fathers, not just those elevated by wealth or political prominence, by race or gender or class—but convicts and servants, women from all walks of life, Aboriginal people, children and the elderly, dissidents and artists, criminals and drunkards.  In 1979, the year of the state’s sequi-centenary, this book was a revelation. I’ve returned to it many times in the course of research, and this piece by S. A. Jones suggests its influence on me as a writer.

I could equally have included—for different reasons—Gone With the Wind by Margaret Mitchell, Catcher in the Rye by J. D. Salinger, the entire Agatha Christie catalogue, My Place by Sally Morgan, Tirra Lirra by the River by Jessica Anderson, everything Gail Jones has written …

What are the books that have changed your life? It’s interesting to see the diversity of titles, plus a couple of shared favourites, among the Writers Ask Writers group.

Hannah Richell: Inside were the Greek Myths, stories of brutal gods and powerful goddesses, fallible mortals and amazing, mystical creatures. They were fairy tales on steroids, filled with the sort of racy content that boggled my young brain and left a lasting impression.—Read more here

Dawn Barker: [We Need to Talk about Kevin] was the book that has had the biggest influence on my own writing career, because this is the book that made me realise that I could write Fractured … as soon as I started reading it, I had a physical reaction: my heart sped up, my skin tingled.—Read more here

Emma Chapman: I just couldn’t get enough of [The Magic Faraway Tree]: the endless possibilities of the worlds at the top of the tree, the whimsical characters. It’s the first time I remember getting lost in a book.—Read more here

Sara Foster: [In The Elephant Whisperer] I got so much from Lawrence Anthony’s balanced reflections on what it is possible for humans to achieve, how we can know so much yet understand so little, and how our blind spots are failing us.—Read more here

Natasha Lester: [Little Women] inspired me so much that it kickstarted the idea for the book I’m currently working on and I was very lucky to visit Louisa May Alcott’s home in Concord just last week.—Read more here

Annabel Smith: I read Don DeLillo’s White Noise in my second year of university, aged twenty or so. It was the first time I had encountered what appeared on the surface to be a book about nothing—the minutiae of one somewhat dysfunctional family’s life—but turned out to be a book about EVERYTHING.—Read more here

PWFC author collage


Filed under Writers ask writers

10 things I love about Sydney…

In no particular order…

The Rocks

I always think of Ruth Park’s Playing Beatie Bow… a place of ghosts and time-travellers

Sydney skies

which always have a story to tell

Those intrepid bridge walkers

I admire them but I’ll never be one of them!



fond memories of Saturday-morning shopping in this old suburb when I lived in nearby Drummoyne many years ago—and I still love its shops and cafes and markets and Federation architecture

Opera whites

a stray glimpse of those iconic sails through the trees—the Sydney wow factor!

The Art Gallery of New South Wales

home of one of my favourite paintings, Grace Cossington-Smith’s The sock knitter


The coat hanger

52,800 tonnes of cross-harbour style

Adriano Zumbo

macarons and works of art sculpted in choux and sugar… yes, please!

Great friends

Tony and Pauline (with the charming Pompey). Click here to read the story of Tony’s long-lost—and now found—band, Fuchsia



Better Read Than Dead

voted Lonely Planet’s Favourite Sydney Bookshop—and the lovely folks at BRTD have invited me there to talk about Elemental on Wednesday 24 July, 6.30pm (more information here). If you’re nearby and free that night, please come along—I’d love to see you!




Filed under Elemental

Australian Women Writers Challenge: April–June progress check

awwbadge_2013I didn’t read as much in the second quarter of 2013 as I did in the first, but I put that down to the lovely distraction of Elemental’s release in May. Even so, I’ve reached my goal for the challenge, the Franklin level: a commitment to read at least ten and review at least six books by Australian women writers in 2013.

The books I read in the April–June quarter were brilliant, every one of them:

Courtney Collins, The Burial (Allen & Unwin, 2012) *reviewed here

Julienne van Loon, Harmless (Fremantle Press, 2013) *reviewed here

Felicity Young, Antidote to Murder (crime fiction, HarperCollins, 2013)

Hannah Kent, Burial Rites (Picador, 2013)

Deb Fitzpatrick, The Amazing Spencer Gray (junior fiction, Fremantle Press, 2013)

Yvette Walker, Letters to the End of Love (UQP, 2013) *reviewed here

My tally now is sixteen read and six reviewed. And there’s still the Stella and Miles Franklin lists to work through, plus a raft of new releases, plus a list of must-reads on that ever-growing pile…

How are you going with various 2013 reading challenges?




Filed under Australian Women Writers Challenge 2013

Book review: Letters to the End of Love, by Yvette Walker

9780702249662The difficulty in reviewing this exquisite debut novel by Yvette Walker lies in not giving away too much. I don’t mean to suggest that Letters to the End of Love is a thriller; on the contrary, it unfolds its stories languorously, dwelling in the quotidian details and rhythms of life. It is this narrative act of unfolding—letter by letter—that gives the novel its cumulative power.

Has there ever been a more perfect title, in its literal aptness and symbolic weight? Love is at the centre of each of three stories braided together through a series of letters. In one, the end of love is likely; in one, inevitable; in one, impossible, even in death. The three sets of letters are otherwise unrelated, other than for the appearance of Paul Klee’s painting Ad Marginem in each story, holding a significance for its pair of lovers, and a concomitant suggestion of the power of art itself.

The Cork letters, dated 1969, tell the story of Dmitri, an exiled Russian painter, and Caithleen, his Irish writer wife. Written, at Caithleen’s request, as daily missives to each other, these letters record the ‘ordinary things, ordinary poetry’ that make up a relationship spanning four decades. The past, in all its tenderness and pain, threads around an uncertain present, as Dmitri and Caithleen reveal intimacies and hauntings that are entwined: ‘I don’t know what comes first, love or sadness, they are perfect twin pearls to me’ (Dmitri). I adore the ‘notorious dog’ who shares itself between them and bridges (or so it seems to me) the silent spaces that the letters also seek to bridge.

The Perth letters, 2011, chart the struggling relationship between two women: stay-at-home bookseller, Grace, and her always-travelling partner Lou, part of the entourage of a musician said to be ‘the new Dylan’. Grace initiates the correspondence as an attempt at ‘something old fashioned, something possibly redundant in a world of speed and light,’ and the resulting letters range across memory and aspiration, the minutiae of (vastly different) everyday lives, the longing both women feel. Lou writes:

Loneliness. Its long white feathers drop and gather around my feet, they blow out of the bar, under the hotel doors and out into the street, into the rain. I want you here and I can’t make it happen.

The Bournemouth letters, 1948, are written by John, a retired English physician, to his lost love, David, a German artist, recalling the time they shared in Vienna before the onset of the Second World War. Prompted by the visit of a man carrying a message from David, these are deeply intimate, elliptical communications to which we bring our knowledge of the horror of those times, reading into their heartbreaking gaps.

I am in love with this writing—its scope, its language—often so profound that it forces you to pause, re-read, savour. Here’s an example (John to David):

You told me painting was working the world out. It was diving into cold, clear mountain water. Crying in the night without dreaming. Ducking a fist in the face. It was boxes of old love letters. Leaflets strewn on the streets like yellow flowers. Suitcases stacked at train stations. These things I whispered to Peter, while the fine muslin cloth that embalms me in the world unravelled itself, like so many used bandages, into an untidy mess at my feet.

The fragmentary nature of letters, their assumptions, their confessions, their allusions, creates an ideal framework in which to tell these intimate stories of ‘love as it is, in all of its strangeness.’ I hope this review has given away no more than a taste of what Yvette Walker’s ambitious, enchanting novel has to offer.

Letters to the End of Love by Yvette Walker (UQP, 2013)

ISBN 9780702249662

This review counts towards my total for the 2013 Australian Women Writers Challenge.awwbadge_2013


Filed under Australian Women Writers Challenge 2013